No one has flipped the script in recent memory quite like Chris Stapleton has. Chris Stapleton songs are universally liked, adored and respected in country music.
Ultimately, that’s because his musical output is as diverse as they come. Traveller, From A Room: Volume 1 and From A Room: Volume 2 — two of which are CMA Album of The Year winners — have pockets of music that were meant for a wide range of listeners. While Stapleton is certainly a country singer, he’s so much more than that. His classic country callbacks, southern rock ramblers and intimate storytelling narratives all resonate. His soulful vocal runs and bluesy guitar grit are refreshing and crisp and worthy of critical acclaim.
Much of that diverse sound can be chalked up to his time with the Kentucky bluegrass group The SteelDrivers and the Southern Rock outfit The Jompson Brothers. His career as a Nashville songwriter is the stuff of legend. Some 100+ songs cut is as absurd as it sounds. But there’s a reason those songs were recorded by the likes of Luke Bryan, George Strait, Brad Paisley, Lee Ann Womack, Dierks Bentley, Darius Rucker and even Adele. It’s because they tapped into something genuine. When it came time to release his own, that tap wasn’t turned off. In many ways, he let the levee break.
While the catalog of Chris Stapleton songs is diverse in style and story, like the rollicking “Midnight Train to Memphis” or the rhythmic “Trying to Untangle I Mind,” it his genuineness that remains reliable throughout. It’d be easy to dole out a series of paint-by-numbers songs that’d find their way to the top of the charts. But Stapleton’s rarely if ever, released a song for the lazy or for the simple fact that he’s Country music’s golden child.
While Stapleton certainly checks off most boxes as an artist — amazing and powerful vocals, pure raw emotion, heartfelt lyrics and an earnest ear for melody — perhaps his single greatest gift is his ability to time and again deliver songs that feel comfortable and familiar. Songs become anthems and in turn, those anthems insist on being sung along with. Chorus lines are easily learned. You welcome those earworms. They’re identifiable and universal.
Still, Stapleton doesn’t rely too much on that. His most intimate songs are cherished not only because he takes you on “hurt so good” journeys, but even his grizzled vocals resonate. He channels the raw emotions of a moment with his delivery in ways most only dream about.
All being said, Stapleton’s country albums are rich journeys that shed light on some of your deepest thoughts, darkest trials and celebrates your highs of satisfaction and joy. Here are the 10 best Chris Stapleton songs.
Much of Traveller, Stapleton’s solo debut, had him doing just that — the ups and downs that go along with crisscrossing the country as a touring musician. “The Devil Named Music” was the crowning jewel of those sentiments. It’s filled with candid lines about missing family and wondering if it’s worth sacrifice. It’s not until the end that he lets out a grizzled vocal wail that shakes through your speakers.
“What Are You Listening To?” was released as a stand-alone single back in 2013. It’s a prime example of Stapleton’s uncanny ability to create choruses that feel both fresh and comfortably familiar. He also takes a common trope and twists it into new. He’s thinking about his recent break-up through the lens of what she’s perhaps listening to.
No one pulls you in closer than Stapleton. One minute, he has these grandiose choruses that hinge on fan interaction. The next, he makes you lean in and listen. “Daddy Doesn’t Pray Anymore” is one of Stapleton’s most humanizing and intimate moments to date. The lamenting harmonica is both a haunting, yet comfortably warm touch.
Some of Stapleton’s greatest moments demand you sing along. “Fire Away” has that magic. You’re urged to join in on the chorus. The opening lines of “Honey load up your questions and pick up your sticks and your stones” is some of his most vivid imagery. There’s little to no hints on what’s caused the quibble. But in just two lines, he frames the scene perfectly. He’s ready for the heated argument knowing that their love is an unconditional one.
Written with Darrell Hayes, Stapleton’s father-in-law, “A Simple Song” is a reassuring pat on the back. The fingerprints of Chris Stapleton’s wife Morgane are all over the affectionate number. As they frequently do, her harmony vocals add a layer of depth to the simple song. There’s a commonality in Stapleton’s examples of when life going awry that are universal. While Stapleton feels the pressures, he never breaks to the pressures of life — mainly because his foundation is his family.
“Scarecrow In The Garden” is one of Stapleton’s greatest storytelling moments. It’s rare for Stapleton to get this dark in his storytelling, but “Scarecrow In The Garden” is pure Appalachian Southern Gothic. He transforms himself into a conflicted and broken man that’s lost his faith in family, God and himself.
“Broken Halos” is yet another example of Stapleton creating songs that feel familiar and worn in. The chorus of “Seen my share of broken halos. Folded wings that used to fly,” just beg you to join in. ” Written with former SteelDrivers bandmate Mike Henderson, “Broken Halos” is pure radio gold and is one of Stapleton’s best earworms. It’s simple, bright and clear. It’s easy to see why it’s been nominated for this year’s Grammy’s.
Tim McGraw first covered “Whiskey And You” on his 2007 album Let It Go. Thankfully, Stapleton decided to give his own take on Traveller. His broke down version is intimate and transparent. It’s as rich as it is dejected and broken down. While most of Stapleton’s anthems are built on easily digested choruses and storytelling, his most reserved moments are pure poetry. “Whiskey And You” is just that. It’s not just raw emotion either. It’s as calculated a response to being brokenhearted as you’ll hear. His NPR Desk Concert performance of the song still leaves you with goosebumps.
Stapleton plays the part of a drunk better than most. It’s not just a party when it comes to alcohol. There’s much more to it than that. His “Drunkard’s Prayer” is an insightful examination of forgiveness and faith. Stapleton’s lyrics aren’t just topical or surface level either. They’re part of an inner dialogue that feels uncomfortable by nature, but also necessary. It’s not just an observation of others. Even if it’s not all autobiographical, “Drunkard’s Prayer” works because deep down, it’s as personal as Stapleton has gotten.
When it comes down to it, Stapleton is a fan of songwriting first and foremost. There’s a little bit of irony in the fact that Stapleton, someone celebrated for their songwriting, is most well known for a cover. Written by Dean Dillon and Linda Hargrove, “Tennessee Whiskey” has been covered by the likes of David Allan Coe and George Jones. But what makes Stapleton’s version stand out is his bluesy take on the country standard. And while the studio cut is amazing, his CMA Awards performance with Justin Timberlake took the song to a whole new level.